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BET, MadameNoire, The Root Win in 2014

Pop Culture Still an Attraction for Black Web Visitors

“Liberal” New Republic Magazine Acknowledges Racist Past

TV One Pushes Envelope on Language During Daylight Hours

Coleman Named Ombudsman at Corp. for Public Broadcasting

Public Editor: “Odd Time” for N.Y. Times to Kill Race Beat

“Ideal Viewer” Is White Female Cardboard Cutout

NPR Gives Platform to Critic of “White” Public Radio Voice

Japan, Jordan Scramble as Hostage Deadline Passes

Do Black Photographers Contribute to Stereotypes?

Short Takes

Pop Culture Still an Attraction for Black Web Visitors

BET.com, MadameNoire.com and TheRoot.com were big winners among African American-oriented websites in 2014, according to figures for unique visitors provided to Journal-isms by the comScore, Inc. research company.

For the first time, the figures include both desktop and mobile data. Previous figures measured desktop use only.

BET.com, perennially at or near the top of the list, was the most visited site on a list submitted to comScore, Inc., with 8,473,000 unique visitors over the year. Its monthly totals represent an average increase of 25 percent over December 2013. BET spokesmen previously attributed BET.com’s success to its tie-ins with the cable network. Such crowd pleasers as the BET awards shows “offer original content and celebrity-filled moments that engage our audience on our various digital platforms which helps increase traffic to the website,” spokesman Luis Defrank said in response to 2012 figures.

MadameNoire, a gossip site, was in second place, with 6,601,000 unique visitors. Its average monthly totals represent a 78 percent increase over December 2013.

The site says this about itself: “MadameNoire is a sophisticatedly witty and opinionated lifestyle publication for the black woman who is okay with the fact that she enjoys guilty pleasures like reality TV as much as rallying against injustices in the African American community. We keep readers up on . . . the latest happenings in black entertainment and news, and dish out advice and commentary on various issues from relationships to politics and style and business trends like only a best friend and nosy auntie could. . . .”

Moguldom, MadameNoire’s parent company, also publishes Bossip, Lossip, MommyNoire, StyleBlazer, HipHopWired, MamiMuse, AFKTravel and AFKInsider.

TheRoot.com, in fourth place, scored the biggest increase over the year, with 4,375,000 unique visitors. Its average monthly totals represent a rise of 286 percent over December 2013.

“It was a pivotal year for social justice and race relations issues, of critical interest to our community,” Lyne Pitts, managing editor, messaged Journal-isms. “The Root has offered timely, consistent, thought-provoking coverage of these important issues and the readers have responded. With some new voices and many familiar writers, we look to continue to build on this growth in the year ahead.” TheRoot.com, which is owned by Graham Holdings Co., formerly the Washington Post Co., publishes a version of this column.

Missing from this year’s list is concreteloop.com, an entertainment site. Concrete Loop founder Angel Laws said she decided to shut down the site since it was no longer her passion.

Unique visitors for other African American sites in 2014 (list is not comprehensive):

1. BET.com, 8.473,000; monthly totals representing an increase of 25 percent over December 2013.

2. MadameNoire.com, 6,601,000; increase of 78 percent.

3. World Star Hip-Hop, 6,146,000; decrease of 43 percent.

4. TheRoot.com, 4,375,000; increase of 286 percent.

5. Bossip.com, 4,269,000; increase of 47 percent.

6. MediaTakeOut.com, 2,604,000, decrease of 55 percent.

7. HelloBeautiful.com, 2,295,000; increase of 106 percent.

8. HuffPost BlackVoices, 2,255,000; increase of 22 percent.

9. NewsOne.com, 2,232,000; decrease of 16 percent.

10. Essence.com, 2,093,000; 2,093,000; increase of 3 percent.

11. BlackAmericaWeb.com, 1,785,000; increase of 139 percent.

12. TheGrio.com, 1,537,000; decrease of 52 percent.

13. TheYBF.com, 1,002,000; increase of 30 percent.

14. BlackPlanet.com, 596,000; decrease of 47 percent.

15. Ebony.com, 505,000; decrease of 27 percent.

16. EURweb.com, 494,000; decrease of 50 percent.

17. BlackEnterprise.com, 354,000; increase of 145 percent.

18. Clutchmagazineonline.com, 182,000, decrease of 76 percent.

[Update: Additional figures: Atlanta Black Star, 713,000; increase of 19 percent; ColorLines, 109,000, decrease of 29 percent. (Feb. 2)]

“Liberal” New Republic Magazine Acknowledges Racist Past

The New Republic magazine, with a new editor and CEO and in the wake of a staff exodus, published a damning indictment of its racial history Thursday, chronicling racist assumptions made by the so-called liberal magazine over its century of existence.

Jeet Heer, a Canadian journalist, wrote for the magazine, “Over the last few months, following The New Republic’s centenary anniversary and a staff shake-up, a perceived legacy of racism in the magazine has been the topic of intense arguments, mostly carried out online.

“In the wake of the debate, vexing questions demand answers: How do we reconcile the magazine’s liberalism, the ideology that animated the Civil Rights revolution, with the fact that many black readers have long seen — and still see — the magazine as inimical and at times outright hostile to their concerns?

“How could a magazine that published so much excellent on-the-ground reporting on the unforgivable sins visited upon black America by white America — lynchings, legal frame-ups, political disenfranchisement, and more — also give credence to toxic and damaging racial theorizing? And why has The New Republic had only a handful of black editorial staff members in its 100 years?

“The New Republic owes an accounting to itself, its critics, and its readers; an honest reckoning on where it has gone wrong is the necessary first step to figuring out how to do better. . . .”

In another passage, Heer writes, “The New Republic’s discussion of African American culture was punctuated by a jarring insouciance, particularly in the work of white writers. Throughout the first two decades, white writers would throw around the n-word with the casual aplomb of characters in a Quentin Tarantino movie. In 1916, travel writer Harrison Rhodes opined, ‘We should not be so pleasant a people nor so agreeable a land were the niggers not among us … both the devil and the black man should get their due.’ Rhodes thought he was writing as a friend to blacks, whereas he ended up replicating the very racism he thought he was challenging. . . .”

Martin Peretz, The New Republic’s owner in recent decades, attributed “the problems of black America to Jesse Jackson, Marion Barry, and anonymous welfare mothers, while largely ignoring deindustrialization and mass incarceration. Affirmative action became a regular target; legacy admission of whites to colleges and universities was rarely discussed. Of course, the competing positions on affirmative action deserved an airing. But to attack affirmative action in a magazine with a staff that was almost entirely white and male was to defend not a principle but a troubling status quo. . . .”

As reported in this column three weeks ago, “Gabriel Snyder, who became editor-in-chief of the New Republic magazine amid a recent staff exodus, has hired three people of color, making good on his promise to diversity the traditionally non-diverse staff. According to Benjamin Mullin of the Poynter Institute, Snyder has hired Jamil Smith, an MSNBC producer who has worked on both ‘The Rachel Maddow Show’ and ‘Melissa Harris-Perry,’ as a senior editor; Bijan Stephen, who joins as an associate editor tasked with editing the website and writing, most recently an editorial assistant at Vanity Fair; and Cathy Park Hong, who will be poetry editor. She teaches poetry at Sarah Lawrence College.”

TV One Pushes Envelope on Language During Daylight Hours

TV One, which launched on Martin Luther King Jr.’s birthday in 2004 as the adult, responsible alternative to Black Entertainment Television, criticized then for booty-shaking videos, is airing promotions that begin with a woman saying, “There’s never a good time to tell a man he’s not getting any ass” and ends with a pair of pink panties flapping on a clothesline.

The promotion for the “sneak peek” at TV One’s “Born Again Virgin” has been airing during the 9-to-10 a.m. hour no fewer than three times during episodes of “News One Now With Roland Martin,” who ironically led discussions denouncing VH1’s recent “Sorority Sisters” reality show as trashy. A campaign succeeded in killing off the show.

Spokeswoman Monica Neal told Journal-isms by email on Friday, “Consideration was given to the language and imagery used in the promo and the network is comfortable with the creative decision.”

According to TV One’s Black History Month lineup, “Born Again Virgin is a 30-minute romantic dramedy series set in the fast-paced, heart of the south — Atlanta, exploring the trials of dating experienced by three 30-something best friends. The series follows Jenna, a vlogger who decides to become celibate after a stream of unsuccessful dates and hook-ups leave her wanting more. She decides to document her newly adapted sex-fast and share the hilarious ‘sexcapades’ of her girlfriends — Kelly and Tara. Each week, the ladies will comically work through their friendship, dating woes and career challenges while showcasing many heartfelt moments.”

The show airs immediately after TV One broadcasts the NAACP Image Awards.

Coleman Named Ombudsman at Corp. for Public Broadcasting

Milton Coleman, who retired as a senior editor at the Washington Post in 2012, has been named ombudsman of the Corporation for Public Broadcasting, the organization announced on Wednesday.

The three-year position is part time, Coleman told Journal-isms. CPB, a private, nonprofit corporation created by Congress in 1967, describes itself as the steward of the federal government’s investment in public broadcasting.

“CPB established the Office of the Ombudsman in April 2005 as an independent office to help advance the highest standards of journalistic integrity in public media, including accuracy, fairness, balance, objectivity and transparency,” according to the announcement. “As CPB’s Ombudsman, Coleman will be responsible for independently reviewing and reporting on issues concerning public media programming.”

Coleman said in the release, “Public media has an increasingly important role in our ever more diverse democracy. Hopefully, I can do whatever I can to help that media serve that need in the best of ways.”

Coleman has been president of the American Society of News Editors and the Inter American Press Association.

NPR and PBS each have their own ombudsmen.

Public Editor: “Odd Time” for N.Y. Times to Kill Race Beat

To state the obvious, it seems like an odd time to discontinue the one Times beat devoted solely to race and ethnicity,” Margaret Sullivan, public editor of the New York Times, wrote on Thursday. “(A few words of reminder: Michael Brown of Ferguson, Eric Garner of Staten Island, Tamir Rice of Cleveland.)

“But that’s what happened this week, as The Times announced that Tanzina Vega, who has covered that beat for the national desk, would be transferred to the metro desk and go off to cover courts in the Bronx — a new beat for The Times.

“The news was not well received by some readers who became aware of it by reading of it elsewhere . . .”

Sullivan also wrote, “So why end the beat now? I talked to Dean Baquet, who made history last year as the first black executive editor of The Times, as well as to two other top-ranking editors, about the decision.

“Mr. Baquet said he was high on Ms. Vega, calling her ‘fabulous’ more than once in our interview.

” ‘She’s a really good reporter,’ he said. ‘Now we want to develop her by giving her other kinds of experience.’

“The move, he said, ‘is not a cosmic decision about how we cover race.’ He said he would be having discussions with masthead editors, as well as editors on the national and metro desks, about how to broaden the coverage of race beyond a single beat.

“At this point, he said, ‘I haven’t decided what to do about the beat, but I know that it has to be covered paper-wide.’ “

Sullivan concluded, “I hope the editors are right. The historical moment looms large. It demands great coverage from The Times on race.”

“Ideal Viewer” Is White Female Cardboard Cutout

Yesterday, Jim Romenesko introduced readers to ‘Michelle’ and ‘Lisa DeVries ,’ a pair of middle-aged, prosperous white moms who, according to management directives, comprise the target demographic for two local TV newsrooms,” Corey Hutchins wrote Thursday for Columbia Journalism Review.

“The newsworthy bit: Michelle is a cardboard cutout. Lisa is a stock photo on a poster. Regardless, they exist to remind reporters about the ideal viewer to keep in mind when developing story ideas.

” ‘When you pitch, pitch to her,’ reads an internal memo from a news director at one South Carolina TV station. ‘When you write, write to her. This is who we need watching in February. Women 25-54 is her demo.’

“Apparently, this is nothing new. A former employee of a different TV station in the Palmetto State not-so fondly recalls ‘Marci’ — ‘Married, Affluent, something something’ — whose photos graced the newsroom a few years ago before they were defaced with graffiti and Marci eventually ‘died a slow death in many colorful ways, thanks to the staff’s imaginations.’

“It turns out that the management mindset behind these maneuvers has been the subject of serious academic study. Responding to the Romenesko item, Dartmouth political scientist (and former CJR correspondent) Brendan Nyhan tweeted that the cutout was like seeing James Hamilton’s ‘excellent research on newscaster pursuit of marginal female viewers in action.’

“That’s a reference to the Stanford communications professor and author of several books about media markets, including All the News That’s Fit to Sell: How the Market Transforms Information into News.

“I thought Hamilton might be able to shed some light on the thinking behind Michelle, Lisa, and Marci, and what it might mean for newsrooms. What follows are excerpts from our conversation, edited for clarity. . . .”

Japan, Jordan Scramble as Hostage Deadline Passes

Japan and Jordan scrambled on Friday to find out what had happened to two of their nationals being held by Islamic State, after a deadline passed for the release of a would-be suicide bomber being held on death row in Amman,” Suleiman Al-Khalidi and Elaine Lies reported Friday for Reuters.

“Japanese Prime Minister Shinzo Abe said every effort was being made to secure the release of journalist Kenji Goto.

” ‘We are gathering and analyzing information while asking for cooperation from Jordan and other countries, making every effort to free Kenji Goto,’ he told a parliamentary panel. . . .”

The International Federation of Journalists added, “On social media, people across the globe have united in the call for Goto to be freed. The Facebook page I Am Kenji has garnered over 40,000 likes, with photos and messages of support coming in from across the globe. . . .”

Michel du Cille recalled the photographs he took of the crack epidemic when he worked for the Miami Herald. (video)

Do Black Photographers Contribute to Stereotypes?

Michel du Cille, the prize-winning Washington Post photojournalist who died at 58 on Dec. 11 of an apparent heart attack, expressed misgivings about whether his photographs of African Americans were accurate portrayals or merely adding to stereotypes.

Du Cille and other veteran black photographers think aloud about that question in “What Is News? Most Black Men Are Not Criminals!,” a 20-minute video by Craig Herndon, a retired Post photographer and former professor of multi-media studies at Howard University.

“It’s ready as an educational short or a promo for the larger project,” Herndon messaged Journal-isms. “I made it available to photo educators last year, when it won an honorable mention at AEJMC, VISUAL JOURNALISM division,” referring to the Association for Education in Journalism and Mass Communication.

Herndon said he is seeking the views of other veteran African American photographers to add to the project. Those interested may contact him via the Comments section, below, and the message will be forwarded.

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