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Fatal Shooting on Live Television

Airing Car Chase, Producers Had Little Time to Cut Away

Mother Jones Puts Gun-Violence Cost at $229 Billion a Year

St. Louis Paper Wins Access to Records of Secretive Courts

Bystander Now Charging $10,000 for Video of Fatal Shooting

Jorge Ramos Makes Time’s “Most Influential” in the World

Arise, International Black Network, in Critical Condition

A Glimpse of Obama When He Spoke Candidly About Race

Lakota Columnist Says Residents Glad for Unity Visit

Critic Says Late-Night Needs Someone “Unsafe” Like Noah

Short Takes

Airing Car Chase, Producers Had Little Time to Cut Away

In Houston on Wednesday, television stations were covering what has become a familiar scene: Police chasing a vehicle through the streets. Since the days of O.J. Simpson‘s white Bronco and before, the ability of large-market stations to put helicopters in the air and follow along has made the images commonplace,” the Radio Television Digital News Association wrote on Wednesday.

“Viewers have become accustomed to seeing police use ‘stop sticks’ to deflate a car’s tires, use police cars to bump into suspect vehicles to put them in a spin to stop them, suspects jumping out of cars to run away, and police wrestling suspects to the ground to handcuff them and take them into custody.

“What was different in Houston was the end of the chase. This time, the suspect did not surrender. After striking another car and coming to a stop, the suspect got out of his car, and when he appeared to reach for something in the car, he was fatally shot by police, and the shooting was broadcast live.

“The last sequence of events happened quickly. KTRK-TV reports it was only a matter of seconds between the time the suspect jumped out of the car and when shots were fired, which gave producers in the control rooms of Houston’s TV stations little time to make a decision.

“Instances of fatal shootings on live television are rare but not unheard of. Several years ago in Los Angeles, a man took his own life with a gun while live cameras captured the scene.

“Bob Long was managing editor at KNBC-TV at the time. When the man set his car on fire and picked up a shotgun, it became clear what would probably happen next, and Long ordered the helicopter’s camera operator to pull back to a very wide shot.

“Long is well known for his opposition to carrying car chases live, saying the spectacle does nothing for a station’s ratings, offers no public service and disrupts viewers from seeing other important news of the day. He says he’d prefer that stations didn’t broadcast chases, but if they do, he recommends empowering every producer to pull back wide or cut away to an anchor when guns are raised.

” ‘If you’ve been in the news business for any length of time, you know how it’s going to end,’ Long said. ‘If you go wide, you reduce the chance of showing viewers a terrible situation. Or better still, if you cut back to the anchor, you can still record what the [helicopter] is seeing offline, and allow senior news managers the chance to edit any video before it’s broadcast.’

“RTDNA offers guidelines to aid stations faced with these kinds of situations. It’s important to consider them ahead of time and establish agreement on a plan every member of the team can follow on short notice. During breaking news situations, anyone from the news director or executive producer, to a line producer working alone on an early morning or a weekend might have to make the call. . . .”

Mother Jones Puts Gun-Violence Cost at $229 Billion a Year

“Just how much does gun violence cost America — in dollars and cents?” asks a news release from Mother Jones.

“The answer is surprisingly hard to find, thanks in part to the fact that the gun lobby has for years lobbied to block this kind of research. But now, a groundbreaking Mother Jones investigation provides insight into the staggering price tag: At least $229 billion each year, more than what we spend on the obesity epidemic and close to the entire price tag of Medicaid.

“The investigation, based on six months of gathering and analyzing data in collaboration with public health economist Ted Miller of the Pacific Institute for Research and Evaluation, finds that the price of a single homicide is, on average, half a million dollars — 87 percent of it falling on taxpayers. Guns kill 33,000 Americans each year and each of those deaths [burdens] families and our society with an average of $6 million in total costs. This in-depth analysis breaks down direct and indirect costs, documents the harrowing personal and financial toll for eight individual gunshot survivors, and tallies the data on everything from suicides to state costs per capita to hospitalization and prison costs resulting.

“All part of this special investigation: the staggering costs of gun violence in 90 seconds; 16 charts that break down the $229 billion; 8 gunshot survivors detail the human cost of guns; plus a video profile of survivor Jennifer Longdon who was gunned down in a Phoenix parking lot 10 years ago. . . .”

Asked whether the series examines the racial dimension, Mark Follman, senior editor at Mother Jones and lead writer for the investigation, noted the statistics in the accompanying chart and added in an email Friday, “We also have another feature coming soon with this package — an in-depth article and photo essay — that goes much more in-depth in this regard. It’s part of the gun violence cover package in our May/June print issue, which will be available to subscribers and on newsstands in the next couple of weeks, and will be published online soon thereafter.”

St. Louis Paper Wins Access to Records of Secretive Courts

The secrecy of St. Louis County municipal courts was lifted slightly Friday by a state committee,” Alex Stuckey reported Friday for the St. Louis Post-Dispatch.

“The State Judicial Records Committee voted unanimously to order municipal courts to turn over records requested by the Post-Dispatch, including court dockets and citations. The courts have until May 15 to do so. . . .”

In a Post-Dispatch story headlined, “Municipal courts operate in secret and work hard to keep it that way,” Jennifer Mann and Stephen Deere wrote March 15, “Because court officials will not release information about cases that have been dismissed, all of the ticket-fixing that was cited in a recent Department of Justice report — involving Ferguson’s mayor, judge, court clerk, police chief, collector of revenue and more, both in that city’s court and others — would not have been known if civil rights investigators hadn’t been able to pore through the trove of emails in which the deals were made.

“Nor would Ferguson Prosecutor Stephanie Karr’s practice of dismissing all red-light camera tickets for cases with attorneys (unless ‘the attorney goes off on all of the constitutional stuff,’ in which case she would make them come to court, argue and pay a fine, according to an August 2012 email cited in the report). . . .”

Bystander Now Charging $10,000 for Video of Fatal Shooting

The video of a North Charleston police officer shooting an unarmed man in the back will now cost news outlets that want to run it $10,000, according to a publicist representing the man who shot it,” Frances Robles reported Thursday for the New York Times.

“Cease-and-desist letters went out this week to news outlets around the world from Markson Sparks, a publicity and celebrity management company based in Sydney, Australia.

“The video, taken April 4, showed a North Charleston police officer, Michael T. Slager, shooting a man who ran from him after a traffic stop. A bystander, Feidin Santana, took the video and then turned it over to the family of the man who was killed, Walter L. Scott.

“The officer was charged with murder and remains jailed. The video, viewed more than one million times on YouTube alone, quickly came to represent the excessive use of force by the police.

“The announcement about the fee seemed to come as a surprise to Mr. Santana. . . .”

Jorge Ramos Makes Time’s “Most Influential” in the World

Time is out with its 100 list of the most influential people in the world,” Chris Ariens wrote Thursday for TVNewser. “As in years past, there are multiple covers, 5 in fact. And this year, Univision and Fusion anchor Jorge Ramos graces one of them.

“CNN’s Christiane Amanpour writes about Ramos’s resoluteness: he ‘wrangles with President Obama and House Speaker John Boehner; he swims the Rio Grande; he says he asks every question as if it’s his last,. determined to get an answer or go down trying. What happened to immigration reform? He knows he has a voice and is not afraid to use it. He shouts from every rooftop that Hispanic rights are human rights.’

“Ramos is the only TV news journalist to make the cut, but other media makers are also on the list, including Bob Iger, Lorne Michaels, and John Oliver. . . .”

A news release from Fusion adds, “He has received eight Emmy Awards for his work, including his coverage of five wars and many of the most important news stories of the last two decades, including the fall of the Berlin Wall, the disintegration of the former Soviet Union, the 9/11 terrorist attacks, and Hurricane Katrina. Ramos is the author of eleven books and bestsellers and writes a weekly column for more than 40 newspapers in the United States and Latin America distributed by The New York Times Syndicate. . . .”

Time’s list also includes Chinese journalist Chai Jing. Her “2015 documentary on pollution, Under the Dome, is one of the most important pieces of environmental awareness building ever in China,” Ma Jun, a Chinese environmentalist and journalist, wrote in Time.

Arise, International Black Network, in Critical Condition

Arise News, which launched in February 2013 “set to rival existing giants in the global market” and “broadcasting from its main News Centres in London, New York, Johannesburg and Lagos,” as Nigeria’s Vanguard newspaper put it then, is in “critical” condition, a former employee told Journal-isms.

Most of the better-known black journalists who joined the operation — Lyne Pitts, Gary Anthony Ramsay, James Blue, Jeff Koinange — have left after enduring periods of bounced checks and missed paydays. Among the latest to exit are Ramsay and Eugenia Harvey, the director of programming who worked in the New York bureau.

The chairman and editor-in-chief of Arise is media mogul Nduka Obaigbena of Nigeria, owner and publisher of a fashion and culture magazine also named ARISE, and publisher of several other titles including one of Nigeria’s daily newspapers, THISDAY.

Arise did not respond to an emailed request for comment, but Harvey told Journal-isms by telephone on Friday that her last day was March 20 and that she had her going-away party in New York on Thursday.

“Arise was a magical place,” she said. “The people who have worked here are wonderful and they sacrificed a lot,” and they are responsible for keeping the bureau going. As for Obaigbena, “I give him mad props to have a vision like this.” The creative atmosphere was “unfetttered, race wasn’t an issue” since the operation was predominantly black.

But, Harvey said, she had to buy water and paper out of her personal funds. “I was also buying bus passes for people. They would say, ‘I’m paying to come here.’ I would say, ‘What if I bought you bus passes?’ They came in. It made a difference.”

The subscription-only NewsBlues site quoted from an email sent last month that said Arise has encountered “headwinds in respect to [money] transfers out of Nigeria as the foreign exchange market has become officially illiquid ahead of elections. Monies are already in the banking system awaiting international remittance. And the banks have assured us this will be sorted within 2 weeks.” It apparently was not sorted out then.

The black-oriented U.S. network Soul of the South, later known as SSN-TV, announced a partnership with Arise in October (video), but SSN-TV itself is now in financial trouble.

Among the former employees, Pitts, who headed the U.S. news operation, became managing editor of The Root in September 2013, and Blue, who was Washington bureau chief, joined the “PBS NewsHour” in February as senior content and special projects producer.

Pitts told Journal-isms by email, “I believed in the goals of Arise, to connect the black diaspora around the globe with news and information. It was a personal disappointment that I could not see that dream realized.”

Lakota Columnist Says Residents Glad for Unity Visit

Karin Eagle, a columnist for the Lakota Country Times on the Pine Ridge Indian Reservation in South Dakota, told readers this week that she has seen “a huge response”   from both near and far” to the planned May 2 visit by Unity: Journalists for Diversity.

Okay, so now we have the skills and support coming to us, hand delivered,” Eagle wrote.

“What are we going to do with it? We are going to learn such things as promoting our own businesses and programs and organizations through social media and mainstream media; we are going to learn how to initiate investigative reporting so we can start to uncover some of the corruption on the various levels we have identified it; we are going to learn how to access vital information that despite anyone’s attempts to keep from us, we are entitled to.

“The kids are going to benefit from the artistic stylings of not one but two amazing cartoonists who are known for using their art to speak volumes about current issues.

“There will be so much more to be won from learning how to talk about our own stories and to share them with [whomever] we choose to. We can never tell all of the stories because every single person has their own unique perspective of many different situations, and every single person can and usually does have perspectives that vary wildly based on what they have seen or heard.

“We have an infinite number of stories to tell and now we are going to have the support and encouragement from some of the greatest minds in Indian Country, people willing to lay it all out and support our storytelling; what . . . will we do with this gift? . . .”

Critic Says Late-Night Needs Someone “Unsafe” Like Noah

In a nearly 4,000-word rumination on the biracial South African comedian chosen to succeed Jon Stewart on Comedy Central’s the “Daily Show,” critic Wesley Morris concluded Friday for Grantland that Trevor Noah deserves a chance.

Understanding the explosion of outrage around the announcement of Trevor Noah as the new ‘Daily Show’ host requires looking at everything from the state of political satire to the Brian Williams mess to the racial politics of South African popular culture,” read the headline on Morris’ essay.

“In other words: It gets really complicated, really quickly.”

Within 24 hours of the announcement of Noah’s appointment, he was quickly criticized for old tweets that were called misogynist, tasteless, anti-African American and anti-Semitic. Noah replied, “To reduce my views to a handful of jokes that didn’t land is not a true reflection of my character, nor my evolution as a comedian.”

Morris, a black journalist who won the 2012 Pulitzer Prize for criticism while at the Boston Globe, wrote, “American racial comedy requires some firsthand experience that also eludes him.” His 2013 stand-up special, “African American,” “is almost 70 minutes of condescension and backhanded compliments.”

Still, Morris writes, Noah deserves a chance.

Referring to comedian and actor Patton Oswalt, Morris concludes, “The Oswalts of the world are arguing that this is a terrible time to be a Trevor Noah stepping in for a Jon Stewart. Just do lip-syncing contests! Otherwise they’ll flay you!

“But this could also be the right time for a Noah. Things are upside down. They have been for years. At any moment Brian Williams could have hosted The Daily Show and Jon Stewart could have anchored NBC’s Nightly News, and it would have seemed only loosely surreal. Whoever Noah is — whoever, on The Daily Show, he turns out to be — it’s likely he’ll be what late-night comedy desperately needs: unsafe.”

Short Takes

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