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‘The South Got Something to Say’

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Atlanta Journal-Constitution Documents Hip-Hop
H.L. Gates Jr.: Why Popular Juneteenth Story Strains Credulity
Willie Mays Case Awakened Press to Bias in Housing
Stephen A. Smith Reportedly Seeking $25M a Year
Yahoo Writer Casts Doubt on Jordan’s Record

Vega Reports on Alleged Saudi Complicity in 9/11
Station Live for 24 Hours From Detroit Neighborhood
Rose Tibayan, TV Journalist, Mentor Dies at 64
Journalists Pushed Into Exile in Record Numbers
Migrants Now Smuggled Via Pricey Charter Flights
Why ‘Minority’ Doesn’t Work for David Oyelowo

Short Takes: Washington Post; Arizona State’s Center for Culture and Inclusion in Media; Nathan Hare; Mary Hudetz; folding of St. Croix newspaper; Sheila Solomon; Lee Hawkins; Kevin Merida; three who started in the Black press; “Our America: In the Black” from ABC Owned Television Stations; censorship in Guinea; defamation sentences reintroduced in Niger; suspending broadcasts in Burkina Faso; Sudan detains television journalist.

’40 Acres and a Lie,’ Matt Murray, Mentoring Black Male Journalism Students Are July 1 Journal-isms Roundtable Topics

Homepage photo: Members of Goodie Mob are shown in AJC Films’ “The South Got Something To Say.” (Photo: AJC Films)

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Atlanta Journal-Constitution Documents Hip-Hop

David Oyelowo, the British actor of Nigerian descent, was marveling last week about African Americans.

Oyelowo (pictured) plays the title character in a streaming series about Bass Reeves, the formerly enslaved man who went on to become one of America’s first Black deputy U.S. marshals. Oyelowo rose to prominence playing Martin Luther King Jr. in Ava DuVernay’s 2014 film “Selma.”

“The thing that I have come to learn and truly appreciate, which I will fully admit I didn’t before, is just how extraordinary Black people in America are,” Oyelowo told Tonya Mosley on public radio’s “Fresh Air.”

“And I mean that in terms of African Americans. When you look at just how much injustice, how much challenge, how much pain, how much — how many lies have also been told about the reality of who and what Black people are to this country. Black people built this country. There is no America without the stealing of all of those Black bodies to basically build this nation. There just isn’t. And for all of that injustice to be foisted upon a people, and then to still be invested in building the country, building community, taking ownership of being American, is truly extraordinary to me.”

Oyelowo’s words are seconded in a new documentary about the rise and prominence of hip-hop, “The South Got Something to Say,” produced by the Atlanta Journal-Constitution and screened Thursday in Washington, D.C., its first showing outside of Atlanta.

The film is a showcase for that city and for the art form and culture exported by those whom Sen. Raphael G. Warnock, D-Ga., called “urban griots.” It is also one example of how news organizations can reinvent themselves by finding new audiences in innovative ways.

“South Got Something to Say” — the words were a “defiant clarion call” in an acceptance speech by Atlantan André 3000 of OutKast at the 1995 Source Awards (video) — is the work of Black journalists at the Journal-Constitution.

Khujo Goodie of the group Goodie Mob, left, with AJC reporter Ernie Suggs and AJC filmmaker Tyson Horne. (Credit: Natrice Miller)

The principals are enterprise reporter Ernie Suggs, cultural reporter DeAsia Paige, multimedia journalist Tyson Horne, visual journalist Ryon Horne, and Byron Horne. The latter three own an independent film company called the Horne Brothers.

The AJC is now led by its first Black editor, Leroy Chapman Jr., and by publisher Andrew Morse, a former executive vice president of CNN US who has said he is determined to transform the AJC “from a storied daily newspaper into a modern media company.” Morse is aiming for 500,000 digital subscribers largely across the Southeast by the end of 2026, up from about 60,000 in 2023, The Wall Street Journal has reported.

“South Got Something to Say” was completed last year in just six months. On Tuesday, the AJC announced the launch of another Black project: UATL, “a new and definitive source for Atlanta Black culture, brought to life through stories, videos, events, experiences, partnerships and more.

“Atlanta is the center of modern Black culture, nourished by a collection of HBCUs, groundbreaking Black entrepreneurs and political leaders, thriving music, food and fashion scenes and a legacy of civil rights advocacy,” the news organization said. “UATL will put Atlanta’s Black experience into context through the lens of experienced journalists and contributors.”

The D.C. screening was held Thursday at the Martin Luther King Jr. Memorial Library before an audience raised on the hip-hop that last year celebrated its 50th anniversary. Smiling attendees recited the words of the songs along with the artists and nodded with approval.

The Atlantans declared that while the hip-hop might have started in the South Bronx, and the “beefs” that dominated much of the hip-hop conversation involved New York and the West Coast, so much of the hip-hop scene now originates in their city.

The film doubles as a primer for those with only passing knowledge of the genre. Included are Atlanta’s first rapper, known as “Mojo”; producers Jermaine Dupri, Dallas Austin and Zaytoven, and such artists as Killer Mike, Goodie Mob, Speech, T.I., the Dungeon Family, Lil Yachty, Young Jeezy, Silk Tymes Leather and Baby Tate.

Atlanta’s Black community — from its working-class fashionistas to its elected officials — is the star, too. Former mayors Andrew Young, Maynard Jackson, Kasim Reed and Keisha Lance Bottoms and current mayor Andre Dickens contribute their thoughts. A photo shows Dickens, who is 50, in the hip-hop group he joined in high school.

Giving credence to the spirit of Oyelowo‘s observation, the trailer begins, “”Hip-hop is a product of Black people. It’s a product of Black song, a celebration.””

In the film, Bottoms recalls how, during the nationwide protests in 2020 over the police killing of George Floyd, she called in Killer Mike to speak to Atlanta’s young people. “I watched a white officer assassinate a Black man, and I know that tore your heart out, and I know it’s crippling,” Killer Mike, born Michael Render, said at the mayor’s news conference.

“That’s why children are burning [things] to the ground, they don’t know what else to do,” he continued. “I am duty-bound to be here to simply say: That it is your duty not to burn your own house down for anger with an enemy.”

In 2018, Bottoms put Killer Mike and T.I. on her transition team.

DeAsia Paige interviewing Philip McCollum, Shannon McCollum and Lil Yachty for “The South Got Something to Say” documentary. (Credit: DeAsia Sutgrey)

There is no forgetting that this is the work of journalists. Sonia Murray (pictured). who took a buyout in 2009, recalls how she became a hip-hop reporter in the 1990s after asking why the paper wasn’t “writing about new, young, local acts like TLC, Kris Kross and Arrested Development,” she told the AJC during hip-hop’s 50th anniversary.

The journalists explained to the audience, and Suggs later told Journal-isms, “While this was a movie, we are still a newspaper and had to operate as such.

“Which meant that everything was on the record and no interviews were paid for. On at least one occasion, I made contact with a rapper, whom we hadn’t heard from in years, and asked about his participation. He asked how much, and I told him we couldn’t pay. He hung up. I called him back and got voicemail. All of his contemporaries ended up in the film and while we didn’t pay them (we did pay for the rights to their music) they have all benefited from the exposure.”

While the film documented Atlanta’s role as a prime exporter of hip-hop, its creators did address its shortcomings. DeAsia Paige said at a panel after the D.C. screening that “We need to treat women and queer people better within the genre.”

Journal-isms asked Tyson A. Horne what he thought of media coverage of hip-hop. He said journalists should provide more coverage of what some are doing to help their communities, not just report the beefs and lawbreaking.

Atlanta Journal-Constitution Editor-in-Chief Leroy Chapman Jr., left, with MC Shy D, center, and AJC reporter Ernie Suggs at the premiere “The South Got Something to Say” on Nov. 2 in Atlanta. (Credit: GPB News)

Horne pointed to a Juneteenth concert the previous day by Kendrick Lamar in Inglewood, Calif.

“The Pop Out concert, especially the ending, was a moment for Kendrick and the entire West Coast to remind us that they are bigger than their tragedies,” David Dennis Jr. wrote for Andscape. “They’re resilient in their peace. Unyielding in their happiness. They’re unwavering in their love of the culture and unabashed in their willingness to dance when joy is at their feet. These are the things they popped out and showed us.”

The next stops on the film tour are at Los Angeles’ TCL Chinese Theater on Wednesday, the National Association of Black Journalists convention in Chicago, Aug. 1-4, and the Martha’s Vineyard African American Film Festival in Oak Bluffs on Aug. 6.

To commemorate Juneteenth, CBS-TV’s “60 Minutes” reposted a video of its segment, “Descendants of Africans on slave ship on reconciliation with family of Alabama enslaver.” (Credit: YouTube)

H.L. Gates Jr.: Why Popular Juneteenth Story Strains Credulity

The same day Journal-isms published “No Stopping the Myth of Juneteenth’s Origin,” on June 18 — suggesting that such descriptions as “commemorating the end of slavery” would be more accurate — Charles M. Blow raised the issue in his New York Times column, writing:

“To start, there is some debate over whether most of the estimated 250,000 enslaved people in Texas at the time didn’t know about the Emancipation Proclamation. As the Harvard professor Henry Louis Gates Jr. told me recently, ‘I have never met a scholar who believes that’s true. ‘ ”

Journal-isms asked Gates (pictured, below) whether he was quoted accurately. This is his response.

Yes, as always, Charles’s quotes are accurate. Let me say that it’s not like I have polled the entirety of the American Historical Association about the matter, but among the handful of historians with whom I have discussed this, none has said that they believe the standard account that somehow the enslaved sisters and brothers over in Texas were completely unaware of the Emancipation Proclamation. 

No one can say how many knew about it; no one polled the enslaved population at the time, of course.

But to claim that none of them had heard about it strains credulity, as does the assumption that a significant number of them had not already at least heard about it.

Why?  For a couple of reasons.  First, during the Civil War, many Confederates living in other parts of the South fled to Texas, because there was very little combat there, and brought with them tens of thousands of enslaved people from other parts of the South who in all probability had heard of the Emancipation Proclamation, of course.  And they would have naturally mentioned it to other enslaved people.

Even under slavery, Black enslaved people mysteriously managed to communicate with each other far and wide, as even future President John Adams noted in a letter he wrote way back in 1775; Booker T. Washington called this “the ‘grape-vine’ telegraph.”

Second, surely house servants would have heard their masters going on and on about Abraham Lincoln, the North, the Civil War, and the threat that the Emancipation Proclamation posed to slaveholders if Union forces liberated an area, which entitled those enslaved people who could get behind those Union lines to their freedom — a key provision of the Emancipation Proclamation.  And they would have shared the news with other enslaved people working in the fields.

For these two reasons alone, it is difficult to imagine how at least a large percentage of the 250,000 enslaved people living in Texas by 1865 would not have already heard about the Emancipation Proclamation before the end of the War.

The key point about General Gordon Grainger’s General Orders, Number 3 – posted (but not read aloud, as the myth would have it) on June 19th, 1865, two months after Robert E. Lee’s surrender at Appomattox and two and a half years following the Emancipation Proclamation is that even after the Civil War ended, many former slaveholders refused to view the freed people as anything other than their property, no matter what the military or the government said.  

The reality of the matter is that even Granger’s order did not immediately lead to the freedom of all of the formerly enslaved people in Texas.  Enslavers waited as long as possible to announce Granger’s order or honor the provisions of the order, determined to get the harvest in using slave labor.  And then, too, the Freedmen’s Bureau didn’t arrive in Texas until that September, so about two and a half months later.  And the freed people who took it upon themselves to leave their plantations often faced physical violence, ranging from beatings to murder.

What’s special about Juneteenth is that it is a holiday that was spontaneously created by Black people themselves.  When June 19th rolled around in 1866, Black people in certain parts of Texas gathered to mark the anniversary of General Granger’s General Order, according to historians reading the Emancipation Proclamation out loud, reading passages from the Bible, and generally celebrating. 

So I’m delighted that President Biden, at Miss Opal Lee’s prompting, made June 19th a national holiday!

Henry Louis Gates Jr. is the Alphonse Fletcher University Professor and director of the Hutchins Center for African & African American Research at Harvard University. He is described as “Emmy and Peabody Award-winning filmmaker, literary scholar, journalist, cultural critic, and institution builder.”

“Looking back at the life and career of Willie Mays, his signature moment can be instantly recalled with two words: ‘The Catch.’ Jeff Passan shares more on the amazing feat that the ‘Say Hey Kid’ pulled off in the 1954 World Series.” (Credit:ESPN/YouTube)

Willie Mays Case Awakened Press to Bias in Housing

Baseball legend Willie Mays, who died Tuesday at 93, “never wanted to be an activist about anything off the baseball diamond. But the racism he encountered after moving to San Francisco stirred others to leap to his cause and ultimately helped motivate the city and state governments to outlaw housing discrimination,” columnist George Skelton wrote Saturday for the Los Angeles Times.

“His role began when Mays arrived in San Francisco from New York with the Giants baseball team in late 1957. Local folks in supposedly enlightened San Francisco welcomed the star outfielder by trying to bar him from a white neighborhood. . . .

“Yes, that was San Francisco — in fact, virtually all of California — until laws were passed in the 1960s to stop such discrimination. The change was aided significantly by Mays’ indirect help, according to another legendary Willie from San Francisco — former mayor and longtime state Assembly Speaker Willie Brown.

“I called Brown, 90, after Mays died this week at age 93. Brown, a rare Black lawyer in late 1950s San Francisco, struck up an early friendship with Mays.

“ ‘He was a joy, frankly. A fun guy,’ Brown says.

“Brown credits the racial bias against Mays with galvanizing the city into adopting an ordinance forbidding housing discrimination.

“ ‘It started with Willie Mays,’ Brown told me. ‘As a result of his being rejected, newspapers suddenly became aware of the racism in San Francisco.

“ ‘San Francisco wasn’t racist like other parts of the country. People smiled.’

“Brown continued: ‘The fair housing law of San Francisco was passed because Mays got denied the right of housing. That escalated the need to change. He was the most dramatic example of how discrimination was practiced on people of color. . . .

“The San Francisco Chronicle got wind of the rejection and ran this banner at the top of Page 1: ‘WILLIE MAYS IS DENIED S.F. HOUSE–RACE ISSUE.’ . . .

“ ‘I didn’t figure I would have this much trouble trying to buy a place,’ Mays told a TV reporter. ‘When I go looking for a house, I don’t worry about who’s living beside me.’

“Unlike nervous white people of that era.

“San Francisco Mayor George Christopher — a moderate Republican, back when such a breed existed — offered to let Mays and his wife live temporarily at his home.

“Ultimately, the homeowner backed down, despite being berated by neighbors. Mays moved in. And almost immediately someone threw a brick through a window.

“Mays kept his mind on baseball and eventually became the pride of San Francisco. . . .”

At ESPN, John Ourand wrote for Puck, “Stephen A., for better or worse, is their Rachel Maddow: homegrown, polarizing but beloved, beyond parody. And probably one of the only remaining sports media talents worthy of old-school dough.” (Credit: ESPN)

Stephen A. Smith Reportedly Seeking $25M a Year

“A generation ago, when he was just a rake in his progress on the set of The Sports Reporters, no one would have guessed that the New Yorker turned Philly sportswriter Stephen A. Smith would one day become the biggest name on ESPN — the heir to Schaap and Berman, Patrick and Olbermann, Mike and Tony, etcetera,” John Ourand wrote Thursday for Puck.

“ESPN has been working hard to re-sign Smith, whose contract ends in a year; last week ESPN made its initial offer of $18 million per year for five years. I’m told ESPN execs pitched Smith’s WME agents that he would be their highest-paid star, earning more than Monday Night Football’s Troy Aikman or Joe Buck.

“Will that be enough? Smith has reportedly been seeking some $25 million per year. While $18 million might seem like a ton of dough, I’m told Stephen A. wants McAfee bucks. Indeed, WME’s response to ESPN was to point to Pat McAfee’s deal, which nets close to $30 million per year between his studio show and College GameDay appearances. WME also had the chutzpah to use ESPN’s $700 million deal with Peyton Manning’s Omaha Productions as a comp.

“ESPN, of course, is crying foul on those comps, pointing out that neither is a talent contract and that they are both production deals. ESPN buys McAfee’s show, which includes all the costs he pays for the production and staff. . . . “

Yahoo Writer Casts Doubt on Jordan’s Record

“It may be the most consequential Defensive Player of the Year award in NBA history,” Tom Haberstroh reported Thursday for Yahoo Sports.

“In 1987-88, Michael Jordan became the first player ever to win the scoring title and the DPOY in the same season. To this day, the feat hasn’t been duplicated.

“Considerable evidence — both statistical and corroborating video — suggests that Jordan’s Defensive Player of the Year award may not be as valid as we thought. . . .”

Vega Reports on Alleged Saudi Complicity in 9/11

“For more than two decades, the U.S. position has been that al Qaeda acted alone on September 11th, but a newly public video has raised questions about whether the Saudi government provided crucial assistance to the hijackers during the 9/11 terror attacks,” Cecilia Vega reported Thursday for the “CBS Evening News,” in what was touted as an exclusive. A more complete report is scheduled for “60 Minutes” Sunday.

“Omar al-Bayoumi, whom the FBI says was an operative of the Saudi intelligence service with close ties to two of the 9/11 hijackers, can be heard on the video, which was unsealed in federal court this week and obtained by 60 Minutes. The 1999 video was taken within 90 days of the time when senior al Qaeda planners were deciding on 9/11 targets, Richard Lambert, a retired FBI agent who led the initial 9/11 investigation in San Diego, said. continued Vega.

” ‘It is another very large brick in a massive wall of evidence that at this point indicates the Saudi government was complicit in the 9/11 attacks,’ Lambert said. . . .”

When Vega left ABC to join “60 MInutes” last year, she became the first Latina correspondent on the program in its 55-year history.

“Highland Park is a community that, at times, has been forgotten. But now, it’s time to hear the stories of victory, resilience, hope, and the future,” Detroit’s WDIV-TV advertised. “Starting Monday, June 3, Local 4’s Karen Drew is spending 24 hours in the Detroit enclave to focus on the many stories of this passionate city.” (Credit: WDIV-TV/YouTube)

Station Live for 24 Hours From Detroit Neighborhood

“At 6 o’clock in the morning on Monday, June 3, Karen Drew, an anchor/reporter for WDIV, Graham Media’s NBC affiliate in Detroit, was doing a live shot in the kitchen of a Highland Park resident as she was making breakfast for her kids,” Paul Greeley reported Friday for the subscription-only NewsBlues site.

“ ‘While you cook, we can chit-chat,’ Drew says.

“It was the first stop of Drew’s 24-hour live coverage from Highland Park, a city within the city of Detroit. Drew’s coverage was unscripted, unedited, unfiltered, a first of its kind event for local TV.

“Drew did a live report in every newscast from 6 in the morning until 11 at night, plus two more the following day for broadcast.

“In addition to doing a live shot on broadcast, she was live for the streaming audience.

“WDIV television viewers could watch her live during any of the station’s newscasts that day and streamers could follow on ClickOnDetroit.com and WDIV’s Local 4+ streaming app.

“ ‘My live shots on streaming were anywhere from five to 25 minutes long,’ Drew says. ‘My first live shot was 21 minutes, and my producer was like, oh my gosh, this is awesome.’ . . .

“The event was a collaboration between WDIV and the Michigan Chronicle, a weekly African American newspaper based in Detroit.

“Why spend 24 hours in Highland Park, a forgotten neighborhood whose streets are dark because the electric company removed 1,400 streetlights because the city was unable to pay its light bill?

“ ‘I don’t think I would have done this in any other place,’ Drew says. ‘It all started with Mama Shu.’

“Shamayim ‘Mama Shu’ Harris, founded Avalon Village, a sustainable eco-village in Highland Park after her two-year old son, Jakobi, was killed in a hit and run accident in 2007. In 2021, her 23-year-old son, Chinyelu, was shot and killed while doing a neighborhood watch.

“Drew says she’s been covering the accomplishments of Mama Shu and what she’s done in Highland Park for 10 years. . . .”

Rose Tibayan, TV Journalist, Mentor Dies at 54

Rose Tibayan (pictured), a television journalist who went on to become director of public affairs at Chicago’s Department of Budget, Management and Finance under former Mayor Lori Lightfoot, died Thursday at her home in Galena, Ill., after a 14-month battle with cancer, the Chicago Federation of Labor reported. She was 54.

Tibayan began her television news career in New York as a production assistant for NBC Weekend Nightly News. She went on to produce, write, report and/or anchor for television news stations in Guam; Fort Myers, Fla.; New York and Philadelphia.

A short bio accompanying her 2007 book “RÉSUMÉTAPEBOOK: The Job-Hunting Handbook for Television Journalists,” says, “Rose has covered a range of local, national and international stories. For five years she was a mentor with the UNITY: Journalists of Color Mentor Program and has served on the local boards of the Asian American Journalists Association in Florida and New York. She was born in Manila, Philippines and grew up in Newark, Delaware where she earned a Bachelor of Arts degree from the University of Delaware.”

In addition, “In 2014, Rose founded the Sampaguita Group, a non-profit organization which tackles the issue of downward mobility of second-generation Filipino Americans pursuing higher education. The organization awards scholarships to Filipino American female college students. To further promote women, Rose launched Ligaya, an online magazine that chronicles the life and times of Filipino American women.” according to another bio.

“Before falling ill in April 2023, she was looking forward to working with incoming Mayor Brandon Johnson,” the Chicago Federation of Labor said.

Dozens of Ethiopian journalists have fled since 2020 due to harassment and persecution. They include (clockwise from top left): Tesfa-Alem Tekle, Woldegiorgis Ghebrehiwet Teklay, Belete Kassa, Yayesew Shimelis, and Guyo Wariyo. (Photos: Courtesy Tesfa-Alem Tekle; YouTube screenshots from Yabele Media, Ethio News, Ethio Forum, Oromia Media Network)

Journalists Pushed Into Exile in Record Numbers

“Threats, repression, conflict, and unrest: across the world, these and other factors are pushing journalists into exile in record numbers,” Lucy Westcott, emergencies director, reported for the Committee to Protect Journalists.

“In a striking development, exiled or soon-to-be exiled journalists now make up more than half of the people CPJ assists. Between January and June 2024, CPJ provided financial support to 158 journalists; 101, or about 64% of these people had fled their home countries or were in the process of fleeing from countries such as Myanmar, Nicaragua, and Sudan. Overall, CPJ’s exile support to members of the press grew by 227% between 2020 and 2023.

“These figures demonstrate the dire needs of journalists in exile, and the bitter reality that exile is not the end of a journalist’s problems but in many cases just the beginning.

“Unless journalists have dual citizenship, preexisting visas, or the ability to acquire an emergency visa, they may have to remain in a transit country while seeking permanent resettlement to a third country, a process that can take months or years. Many transit countries have poor press freedom records, leaving exiled journalists vulnerable to further harm. But even those who make it to ‘safe’ countries aren’t really safe; many face transnational repression as authorities in their countries of origin continue to issue threats and target family members back home.

“Some countries of refuge are undergoing democratic backsliding, with implications for the exile and local press. . . .”

“One route starts in West Africa, with migrants paying up to $10,000 for multi-stop commercial flights to Nicaragua, before continuing by land to the U.S.” (Credit: Foreign Policy)

Migrants Now Smuggled Via Pricey Charter Flights

Charter flights “represent a new phase of illegal immigration to the U.S., five U.S. officials said in interviews with Reuters,” Mica Rosenberg, Rupam Jain and Jackie Botts reported Friday for Reuters, in partnership with Churchill Ndonwie and Jose Maria Del Pino of Columbia Journalism Investigations.

“Increasingly, they said, migrants from outside Latin America are paying smuggling networks hefty fees for travel packages that can include airline tickets – on charter and commercial airlines – to fly to Central America and then bus rides and hotel stays en route to the U.S.-Mexico border. . . . as some routes for illegal migration get squeezed, others open up. . . .

“Reuters and Columbia Journalism Investigations, the university’s postgraduate reporting program, traced two new intercontinental migrant smuggling routes. The reporting for this story draws from previously unreported aviation data, border figures obtained through Freedom of Information Act requests, and close to 100 interviews with government officials, police, airline employees, smugglers, travel agents and migrants in nine countries.

“One route starts in West Africa, with migrants paying up to $10,000 for multi-stop commercial flights to Nicaragua, before continuing by land to the U.S.

“The second, serving migrants from India, offers charter flights to Central America and overland transfers to the U.S. border for between 6 million ($72,000) and 8 million rupees ($96,000) per person – in many instances with full payment due after arrival in the U.S, according to Indian court documents and K.T. Kamariya, a deputy superintendent of police in the western Indian state of Gujarat investigating illegal migration.”

One example: “Late on the evening of Aug 28, Ismaila Diop, 30, a small-business owner from Senegal, landed at Managua aboard Avianca flight TA315. On arrival, Diop said he paid $160 for a tourist visa and got a taxi from the airport to the Honduran border, five hours away. His Nicaraguan driver confirmed the trip and the $50 fare.

“Diop flew from Dakar to Rabat to Madrid, where he boarded an Avianca flight to Managua with layovers in Bogota and San Salvador, ticket stubs and photos show.

“Engaging in gay sex is criminalized in Senegal. Diop, who identifies as bisexual, said he fled after a severe beating left him unable to work for close to a month. His account was confirmed by medical records, photos and asylum documents reviewed by Reuters and CJI. . . . “

Separately, Renata Brito, 31, of The Associated Press won a Livingston Award from the Wallace House Center for Journalists at the University of Michigan for “Adrift/36 Days,” “a visually-driven investigation that seamlessly weaves together graphic illustrations, evocative imagery and powerful storytelling. Through meticulous detail, Brito reconstructs the journey of a boat discovered on Tobago’s coast, identifies its deceased passengers and humanizes the plight of migrants.”

Why ‘Minority’ Doesn’t Work for David Oyelowo

In the “Fresh Air” interview quoted in the first item about “The South Got Something to Say,” Black British actor David Oyelowo also discussed what he called the “minority mentality,” touching on ongoing debates about the use of the term. From the transcript:

TONYA MOSLEY: Something you mentioned, I’ve heard you talk about, and growing up In Nigeria was the sense of self? You didn’t suffer from minority mentality — is that the term that you use?

OYELOWO: Right.

MOSLEY: Right. So by the time you got to the U.K., went back to the U.K…

OYELOWO: Yeah.

MOSLEY: …You had a deep sense of self, because, you know, you’re just around all people who look like you in Nigeria. It’s very similar to how I grew up in Detroit – like, everything was Black. My church was Black. My school was Black. My neighborhood was Black. So my sense of self was pretty strong by the time I went on to the greater world. Have you thought about that? How do you grapple with that?

OYELOWO: Yeah, there are so many things that are constructs that torpedo our sense of self.

“If you’re constantly being told you’re a minority, if you have the notion that you are a diversity hire, if you are constantly being reminded of your race in a negative way – these are things that subconsciously work their way into how you think of yourself.

“If you are watching films and television shows where you are constantly the best friend, the Black best friend or the magical Negro as we know that trope, or you’re just constantly tangential, superfluous or peripheral to the narrative, you are gathering data as to what your skin, plus the world, or that culture or community that you are within, how it feels about you, where it places you on the hierarchy of things.

“Now, if you grow up in a community, like I did in Lagos, Nigeria, where every image, every bit of stimulus I am receiving is telling me I am central to the life of that community, that is also something that is – you’re internalizing and [that] affects your disposition as you go out into the world.

“So the minority mentality is something I was able to discern when I moved back to the U.K. at the age 13. Being in Nigeria from 6 to 13 and suddenly this notion of race. Race as a construct — it’s a construct to help us rationalize, to be perfectly frank, some of the terrible things we have done to each other through history as opposed to just feeling like a human being.

“When I get out of bed every morning, I do – my first thought is not I’m a Black man.

MOSLEY: Sure, sure.

OYELOWO: “You know what I mean? I’m David. I’m a human being. I love my wife. I love my kids. Are they OK? Let me go feed the dogs. Going to hit the – you know, these are the thoughts that – but then, very quickly, as I exit my door, there is stimulus hitting me that is deeming me anomalous, deeming me different, deeming me problematic at times or deeming me angry at the world or whatever it is. And sometimes that becomes a self-fulfilling prophecy. Sometimes it’s something you’re fighting against. But both of those things are negative.

“And I call it actually – another phrase I use is the Sidney Poitier syndrome. When you look at what he achieved in this country at that time, something that if you were a Black actor today, you know, winning the awards he did, having the acclaim he did, working with the directors he did, being number one on the call sheet at the time he was. Even today, that’s a challenge.

How did he achieve that? It’s because he grew up in the Caribbean. Where again, he didn’t have – yeah. He didn’t have a minority mentality. So he was walking into rooms, circumstances and situations with a disposition that didn’t have him in a boxer stance the whole time. He had an ease to the way he was confronting the world, because he didn’t feel like he was constantly at war with it.

MOSLEY: David Oyelowo, thank you so much for this conversation.

Short Takes

Reporter Alexia Fernández Campbell discusses “40 Acres and a Lie” Monday with Amna Nawaz on the “PBS News Hour.” (Credit: YouTube)

’40 Acres and a Lie,’ Matt Murray, Mentoring Black Male Journalism Students Are July 1 Roundtable Topics

“Our historical investigation found 1,250 formerly enslaved Black Americans who were given land – only to see it returned to their enslavers.”

That’s the short summary for the more than two-year investigation by the Center for Public Integrity and Reveal, from the Center for Investigative Reporting, that unearthed thousands of records once buried in the National Archives.

“In them, they found more than 1,200 formerly enslaved people who were given land by the federal government through the field orders – and then saw that land taken away.” The results are presented in a three-part podcast that began last Saturday.

Journalists behind the project will be guests at our next Journal-isms Roundtable by Zoom, to be simulcast on Facebook on Monday, July 1, at 7 p.m. Eastern. The Facebook page is “Richard Prince’s Journal-isms, < https://www.facebook.com/RPjournalisms/ >

Joining us will be reporters Alexia Fernández Campbell and April Simpson, and story editors Mc Nelly Torres (tentatively) and Matt DeRienzo, who was editor-in-chief of the Center for Public Integrity during the investigation.

Matt Murray addresses the Washington Post staff on June 3. (Credit: Robert Miller/Washington Post)

We will also toast Matt Murray, new interim executive editor of The Washington Post, who was editor in chief of The Wall Street Journal from 2018 to 2023. In his initial meeting with a contentious Post newsroom on June 3, Murray said that diversity would be a “constant commitment” at the Post, adding that he had “the most diverse masthead that The Journal had ever had” during his years as the top editor at the Journal, The New York Times reported.

In 2020, Murray named Brent Jones to the WSJ masthead, making Jones the first African American so designated (though mastheads used to be smaller).

I promised Murray that he would not have to stay long.

The Black Male Journalism Workshop seeks “all U.S. college students who appreciate our mission to support the representation of Black males in journalism, regardless of their identity or background,” said the announcement launching the project. (Credit: Jason Samuels)

As a bonus, Shirley Carswell, director of the Dow Jones News Fund and a longtime Roundtable member, will briefly update us on the just-concluded inaugural Black Male Journalism Workshop, a collaboration between the New York University Arthur L. Carter Journalism Institute and the Dow Jones News Fund.

The project was originally announced at last year’s National Association of Black Journalists convention in Birmingham, Ala. (scroll down)

Writing informally, executive director Jason Samuels of NYU offered “thanks to all of our hosts and guest speakers who made time to engage with our incredible group of college journalists:” Marc Lacey (managing editor- nyt), Henri Cauvin (deputy editor, national – nyt), Greg Winter (managing editor, international – nyt), Mike Abrams (deputy editor, standards – nyt), Brent jones (svp – dow jones), Darren Everson (chief digital editor – wsj),

Michelle Higgins (newsroom talent manager – wsj), nyu professor Chenjerai Kumanyika, nyu journalism’s Craigh Barboza, Joel Anderson (staff writer – slate), Mark Thompson (chairman and ceo – cnn) (pictured), Marcus Mabry (svp – cnn), Victor Blackwell (anchor – cnn), Eric Johnson (exec. producer – cnn docs), Ramón Escobar (svp – cnn talent recruitment), Omar Jimenez (correspondent – cnn), Ben Norman (photojournalist – nyt), Johnny Green (president and general manager – wcbs), Maurice DuBois (news anchor – wcbs),

Topher Sanders (investigative reporter – propublica), Jesse Washington (staff writer – andscape/espn), Trymaine Lee (reporter – msnbc), Ricky Irving (producer – cbs news), Mark DeCambre (eic – marketwatch), and Anzio Williams (evp – nbc news)”

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Richard Prince’s Journal-isms originates from Washington. It began in print before most of us knew what the internet was, and it would like to be referred to as a “column.” Any views expressed in the column are those of the person or organization quoted and not those of any other entity. Send tips, comments and concerns to Richard Prince at journal-isms+owner@groups.io

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